Sunday, May 24, 2009

my hold bin

Get out your Sennheisers boys and girls.....
PLEASE, you must check out the latest from my beatport.

the end of the night (original mix) - J&M Brothers

deep or what (milton jackson remix) - Matt Masters

if no harm faet. Rachel Claudio (Roed Svensk Instrumental) - Ralf Gum  (3rd from the bottom)

cheyenne (uto karem remix) - Spektre 

riverside (original mix) - Sidney Samson YOU KNOW IT!!! haha

no vacancy

Pic 1
Pic 1Pic 1Pic 1

No Vacancy Gallery is celebrating it's one year and one day today! On a far from shy evening in May 2008, the venue saw 10 of Melbourne's best artists and illustrators get the ball rolling towards a high flowing standard which we could expect to see met in the future, and have. Situated at the QV centre, it's a prime location for artists to showcase their work and also throughout the year, it's terribly perfect to indulge in the many education programs and workshops held. I love walking through this part of  Melbourne and seeing a gathering of smiley faces, holding up cocktail glasses  talking about the exhibition inside. It's such a nice feeling. Even nicer to be part of it. Inner city living and breathing and exhibiting. Love it.

No Vacancy Gallery
27-33 Red Cape Lane
Melborne, 3000

Tues - Sat   11 - 5
Sunday   12 - 5

yep


Saturday, May 23, 2009

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Tim Chapman

Creator Unknown

Wednesday, May 20, 2009

girl

My favourite girl. Erin Wasson.






Monday, May 18, 2009

Qube Konstrukt




During the exciting 3 day agIdeas conference, Design Studios across Melbourne opened up their doors to allow people to come chill with them for an evening and talk design over pizza and beers. I was lucky enough to get into Qube Konstrukt. Situated in the smalls of a dimly lit alleyway in Richmond, I snuck a quick cigarette in before being completely blown away the force of 8 bouncing personalities. I was greeted swiftly by the vibrant Adam Gardiner, the founder of Qube and then became quickly acquainted with the production manager and the rest of the designers. The warehouse is pretty small with huge 3D jobs like giant toys all over the place, a huge modern kitchen as the centrepeice and a section filled with sexy Macs and unfortunately a few dinosaur PCs. Immediately a sense of fun was captured after 1 whole minute. Even though many studios possess comfortable 'in my own loungeroom' qualities, this place seemed a little further above the rest!
Qube was established in 2002 by Adam and his wife Janine in the warehouse space in Richmond which at the time they both used as their home. Both coming from different design backgrounds, they realised that when collaborating they found a sense of excitement in creating work outside of what they may have achieved individually. And with this idea of exploration through collaboration, Qube has since seen the studio grow and become more enriched by each new member. They have been involved with a diverse range of clients and have produced some of the most impressive work that constantly exceeds their clients expectations. They encompass campaign, print and publication design, illustration, identity and brand development, environmental graphics, also online, interactive and broadcast design.

How do they get work?

So the night flies by, and all but myself and my friend Trystan and the Qube crew are left. One of the boys pulls out a few more beers, Simon finishes up a game of pinball and Adam drags up the window and lights up a cigarette. At this point everyone is comfortable and it feels like we are hanging out with our oldest and bestest group of friends, and still my questions fly.
At the beginning (like most designers) there's alot of door knocking. A little freelance, then a lot of freelance, free jobs, and a few things for friends. When Adam and Janine first began Qube, they actually knew a few people from previous experience but still had to get more work. Sometimes finding a bad job done by somebody else, and going to the business owner and convincing them they could do a better job. Sometimes this worked, and sometimes it didn't. After a while there was alot of small jobs coming in and the occasional big job and once establishing a distinctive style and reputation, businesses began approaching them. Now after 7 years, Qube have worked with clients such as Toyota, Coca Cola, Channel V, K-Swiss Clothing, The London Underground, Saatchi & Saatchi, L'Oreal, Fashion Magazine, Riot Magazine and MTV Asia and MTV Australia. At present they are designing two clothing lines with MTV which will be launched globally.

Here's a little look at the siiick stuff they do. Go on man. Get inspired!





Friday, May 15, 2009

wheelbarrow


Photo by Jamie O'Shea
This is a wheelbarrow that lays alone on my parents farm. It's wedged up against a wooden stump which probably ended up in their fireplace. 
I love this photo. I love the composition and colours. The light is in just the right place. It's cold and lifeless. The grain in the wood shows off the magestic flow of it's limbs right up to the edges where you could slip off. Somehow seems more attractive to me now that it's spent. A picture of how beauty can re-invent itself from another angle. A new life for it perhaps. I also admire the shadow on the laundry wall in the background. So many thoughts here.

Thursday, May 14, 2009

melbourne street art

photos by jamie o'shea
click image to increase size

Wednesday, May 13, 2009

paris through my eyes

photos by jamie o'shea
Art, culture, couture. Romance, cliche, bon soir.










 

Friday, May 8, 2009

agIdeas Melbourne 2009

Etienne Mineur.

Each year in Melbourne agIdeas presents 40+ of the world's creative leaders who share their insights with more than 10,500 designers, students and business leaders.

AGIdeas presents a series of events for designers who are seeking inspiration, for designers emerging in the industry to explore the possibilities of international careers in design and for companies looking to embrace design as an economic driver. 

Over three days conference goers witness designers from all catagories extending from Graphics Design, Interior/Exterior Design, Architecture,  Landscape Architecture, Sound Design, Web Designer, Film Making/Editing, Creative Writing, Art, Photography, Puppet Design, Stage Design, Light Installations, Vehicle Design, Furniture Design, Fashion Design, Advertising, Musicians and the list goes on. Speakers from all over the world come to tell their story. To inspire. To share ideas. And it's very special. It's such a brilliant initiative that has now successfully been running for 19 years and I'm proud to say I've been twice now. 

On the first evening, after a long day with many illustrious speakers in Hammer Hall, Design Studios open up their doors and invite people in to talk design over dinner and drinks. I was lucky enough to be one of the few who got into Qube Konstrukt.  And had such a brilliant night. The final night there is a party held for ticket holders and a chance to mingle with world class designers. They really do put on a good show!!!

Every speaker this year was inspiring, talented and real. All conveying the same message. Good design is about being able to communicate. And good communication and good design. It's about being yourself. Not being ashamed, or scared to step outside the square and go for it. Knowing what your style is. Listening to your instincts. And working really hard. Really hard. But for us, we're so lucky. Working in such a creative industry, it's stemming with excitement and fun. And we should always remember that, especially after a 65 hour week. 

 Inspirations drawn

This year we had the great pleasure of meeting Luca Missoni. Just breathtaking to be engaged by such an icon of design. And he was adorable. He spoke about being 16 years old, beginning to make little things around the house ( which many can relate to) and how his obsession with knitwear and diverse machinery escalated to his own label. Now a multi millionaire, he still finds inspiration in his surroundings, his collections remain fresh, and he is happy with his style. He owns wool and his trademark patterns. And he hasn't stopped with just clothing. He has a range of home fittings and homewares. Again, there you have it. Somebody equipped with style. His own style. And he's just running with it. And I must say, he is such a lovely man. Oozes with Italian charm and appeal. A heart as soft as a feather. 

Another galvanizing sensation was Étienne. Born in 1968, Étienne Mineur graduated from the Ecole Nationale Supérieure des Arts Décoratifs (ENSAD) in Paris. He was one of the founders of Index+ where he worked as Art Director, and later was art director for Desgrippes & Associés, Hyptique, and Nofrontiere in Vienna. In 2000 Étienne helped establish the innovative Paris based agency, Incandescence. Since 2000, Incandescence has developed the website and virtual catalogues for the Japanese fashion designer, Issey Miyake. The website was consequently selected to feature in the exhibition 'Somewhere Totally Else' at the Design Museum in London in 2003 and the interactive exhibition at the Pompidou Centre in Paris in 2004. An active member of Alliance Graphique Internationale, Étienne has also taught in various schools throughout Europe. His gracious yet fun approach to his work left me confident that I can really make it. That I should be happy with what I believe in. My style. And who knows where it can take me. 

On that note. Go for it! What are you waiting for. And start researching agIdeas 2010. It's going to be very impressive! 

Sunday, May 3, 2009

Saturday, May 2, 2009

The making of Femme Fatale

I was to design a new cover for The Velvet Underground's possible new album. I chose all the songs and title. I've used a scanner and varied techniques.
This was a fun job.









After much trial and error, many cups of tea, and far more attempts than you see here, finally i found something to work with. And it worked. Much of the album is about fatal love and deep addiction. Passionate and vulnerable. I thought of it as appropriate to photograph myself dying, or dead, or associated with death, or pain drawn from love, or the death of a love yet still portraying femininity and acceptance. A quietness. I think as the day grew thin, so too did the petals from the rose which surprised me with this beautifully weathered and tired look. Perfect. It suited the feelings I think she would have been feeling. And she's vomitting petals. Like the life of her has been squeezed out of her. The colour of love and passion and heat. The colour of blood. The colour of a woman's heart. Her needs and wants. Lust. The colour of her life and the depth of her belonging. Spewing out of her lifeless lips. Then on the reverse side you have her before the turmoil. Just a calm, beautiful strong flower. Capturing the light, fresh, crisp, curvaceous, soft, woman. And I just love the flickering of light from the scanner. Like a life flickering. Eyelids opening and closing. Or the end of a black and white movie.


Ian Francis

Born in Bristol, England in 1979, Ian Francis, almost 30 is surely carving a name for himself over the world. Spending a few years polishing off a nice little degree in Illustration at the University of West England, he has etched so far into his beautiful style, that he now too has become recognised in Australia by helping advertise the Semi-Permanent Awards held in Sydney. His artwork is featured on the posters. 
Francis's work concentrates on the particulars of modern experiences - things like television, world events, celebrities and day-to-day living.
Insatiable.